This image, one of my personal favourites, was created in London in 2009 as a collaboration and legibility experiment with the kinetic still-life photographer Jason Tozer.
The typography - set simply in Helvetica - was screen printed onto twenty sheets of glass and a variety of objects were fired through them. A sound reactive flash captured the glass at various stages of destruction and of the 20 images captured, this proved to be our favourite and the best interpretation of the phrase.
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