Framed Art Print
Returning Homeby Aaron Paquette
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Choose from a variety of frame styles, colors and sizes to complement your favorite Society6 gallery, or fine art print - made ready to hang. Fine-crafted from solid woods, premium shatterproof acrylic protects the face of the art print, while an acid free dust cover on the back provides a custom finish. All framed art prints include wall hanging hardware.
ABOUT THE ART
This was painted for the survivors of the Canadian Residential School experience. For those who don't know, it was government policy to "kill the Indian" in children by taking them forcibly from their homes and transporting them to far away schools. These Schools were run primarily by religious organizations and many of the children were physically and sexually abused. They were forbidden to speak their own language and at the end of their experience were broken people with many unresolved emotional scars. My grandmother was one of them. This policy ended in the 1990's. Not the 1890's. The 1990's.
Every First Nations (Native) family has someone who was subjected to this purposeful abuse and the long ranging results are alcoholism, drug abuse, perpetuation of the abuse they suffered on the next generation, mental illness and so on.
Sometimes white society in Canada gets frustrated at the repetition of these facts. I guess it's a sort of "blame the victim" mentality and they wish Aboriginal people would just get over it. Of course, it is my most sincere wish that one day First Nations people heal and do get over the abuse.
But something that took hundreds of years to mess up probably won't be fixed overnight. It will take generations, and that's just the simple, unvarnished truth. White society should be outraged at their government. Locking someone in a room and allowing them to be molested by a man or woman of god for ten years might take more than an apology to make all right.
Anyway, it's kind of depressing information, I agree, so I'll leave you with the write up I created for this work.
The idea for this painting was to communicate safety, security, a return to tradition and traditional teachings. In essence, it was to be about healing. I considered the challenge it represented and in an instant this image appeared to me. A tipi lit from within, offering sanctuary against winter’s chill. The warmth is so overpowering that it spills out through the skin, much like the glow of a person who has found a truth and lives by it, their own personal light shining out into the world offering hope to everyone. And better yet, there is a community here. No one is alone. In every home is a family, laughing, playing, dancing or praying. This is a good place to be.
Above the still and silent night hangs a full moon, lighting the way for travelers who are still out in the hills, showing them the way back to hearth and comfort. They carry burdens but will be able to put them down when their lonely journey ends. Watching over it all are the Aurora Borealis, our Northern Lights. Swaying, shining, the light of those who have gone before - our grandmothers and grandfathers - are holding hands, keeping the beat of the Round Dance. We watch this beautiful dance and are reminded of the old ways, the old teachings. We are reminded of our connection to heaven and earth, past and future. We are reminded to live here and now, in each other’s hearts.
Though the journey seems far, we are never alone. The spirits of the land surround us, the spirits of the sky watch over us, and the Great Spirit, our Creator, leads us to our greatest happiness. It’s hard to believe it when we are alone in the wilderness, but come home, be safe, be warm. Come home and rest. Come home at last, and heal.
With thanks to Honor Walk: Residential School Healing