Yellow Wallpaper

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

Digital artist and photographer. This kitten is my "nephew".

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

For licensing, please e-mail Nature Magick at: sales@naturemagick.com.

Self-learnt artist based in London coming from Hong Kong. I love flowers , yet feel so bad to see them curl up, turn brown and die. Then I met painting in my life and fall in love with it. With my color and brush my flowers stay beautiful and fresh forever. Now I never feel lonely. This is just beautiful. And I met many of you here, I was told you love my work. And then I know that I am actually making somebody a bit happier in such a imperfect world. This is even more beautiful. If you want any originals of my paintings, please visit my Instagram on @seleneli_art

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

Graphic designer and crafts fanatic, based near Manchester in the UK.

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

Plz search 'pikaole' on Samsung theme & LINE store & app store! twitter/ instagram : @pikaole Patreon : https://www.patreon.com/pikaole tumblr : pikaole.tumblr.com LINE store : https://store.line.me/search/?q=pikaole https://www.behance.net/pikaole

Hello! My name is Leanne Simpson and I'm an Australian illustrator, surface designer and artist for licensing. I'm a foodie, a music lover, a book worm, a pattern lover and a crazy cat lady in training. I love playing around with colour, shapes and form. My work is inspired by nature, yummy food and everyday things. I enjoy creating vibrant wall art and patterns to brighten up your home, add some fun to your tech (phone, laptop and tablets), and your wardrobe! Portfolio: www.leannesimpsonart.com Contact: leannesimpsonart@gmail.com Instagram: @leanne_simpson_art

Classic, Modern & Minimalist Art

Contemporary fashion, decor, and accessories inspired by the historic beauty of Boston's Newbury Street.

Just forget me. This is all about graphic art exploration! instagram: @littleniceprint

Creative explorer and Nature lover, Dominique's mission is to share positivity through her modern and colourful creations. With a less is more approach and her love for mid to late century designs, she creates eclectic collections that bring more happiness to everyday life. Nature, textured and digital art https://society6.com/dominiquevari Minimal art https://society6.com/domvariart Follow me https://www.instagram.com/dominiquevari

chadwys.com

Mid century modern designs and other atomic era inspired art.

Remember, there are no mistakes, only lessons. Love yourself, trust your choices, and everything is possible - Chérie Carter-Scott . . ˜… . . :: Sharon Mau is a photographer and graphic designer based on the beautiful tropical island of 'ihi-kapu-lau-māewa more commonly known as Maui Hawaii - Paradise on Earth - Island of Rainbows, specializing primarily in tropical flowers and beaches :: . . ˜… . . https://society6.com/sharonmau https://sharon-mau.pixels.com https://plus.google.com/+SharonMau https://instagram.com/sharonmauhawaii https://twitter.com/sharonmau https://www.pinterest.com/sharonmau https://www.facebook.com/sharonmau

Surface Pattern Design & Illustration To find out more about me and my work follow me on Instagram https://www.instagram.com/sandrahutterdesigns or visit my website http://sandrahutter.com Available for art licensing, freelancing & design projects!

Hi there! Thanks for dropping by, it means so much to me! These botanical designs are inspired by my lifelong love of flowers and years spent working hands on with them as a florist. Follow me on instagram @studiojessicarose or visit my website - www.studiojessicarose.com for more!

Mid century modern designs and other atomic era inspired art.

chadwys.com

chadwys.com

Christie Russert is an illustrator/surface designer based out of Evanston, IL. Her work is a blend of vibrant abstract patterns and landscapes that have a 70's west coast vibe. Her brand, Sunshine Canteen is all about embracing a "sunshine state of mind" where ever you may be. IG: sunshinecanteen About the Artist

rosegolddecor18@gmail.com

Self-learnt artist based in London coming from Hong Kong. I love flowers , yet feel so bad to see them curl up, turn brown and die. Then I met painting in my life and fall in love with it. With my color and brush my flowers stay beautiful and fresh forever. Now I never feel lonely. This is just beautiful. And I met many of you here, I was told you love my work. And then I know that I am actually making somebody a bit happier in such a imperfect world. This is even more beautiful. If you want any originals of my paintings, please visit my Instagram on @seleneli_art

Plz search 'pikaole' on Samsung theme & LINE store & app store! twitter/ instagram : @pikaole Patreon : https://www.patreon.com/pikaole tumblr : pikaole.tumblr.com LINE store : https://store.line.me/search/?q=pikaole https://www.behance.net/pikaole

Plz search 'pikaole' on Samsung theme & LINE store & app store! twitter/ instagram : @pikaole Patreon : https://www.patreon.com/pikaole tumblr : pikaole.tumblr.com LINE store : https://store.line.me/search/?q=pikaole https://www.behance.net/pikaole

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

chadwys.com