Asian Printed & Colorful Duvet Covers | Society6

Ukiyo e of floating world

Digital Nomad | Photographer | Visual Artist In a love affair with Japan Connect with me on IG: https://www.instagram.com/nomadictravelscapes/ © All artworks on this Society6 Profile are copyrighted by Himanshi Shah and cannot be copied, photocopied, reproduced, translated or reduced to any electronic medium or machine-readable form, in whole or in part, without explicit permission. All Rights Reserved. Products not available for wholesale / resale.

Ukiyo e of floating world

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

Ukiyo e of floating world

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an illustrator from Serbia and I love to create illustrations and patterns that can be used for textile and other surface design. Thank you all for visiting, promoting and buying my designs! Commissions and licensing inquiries: info@blueleladesign.com My website: www.blueleladesign.com Instagram: https://instagram.com/bluelela/

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

Hey! My name is Angelina and I am an illustrator. You will find some interesting stuff here! Feel free to contact me: www.instagram.com/angelina_bambina_dsgn

Hi! I'm Linda A. // Art Director + Illustrator // Whimsical Wildlife + Nature for your Home + Kids // Instagram: @theprintedsparrow

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

Let the vintage art shine!

Hey! My name is Angelina and I am an illustrator. You will find some interesting stuff here! Feel free to contact me: www.instagram.com/angelina_bambina_dsgn

I create bold sun inspired illustrations to brighten your space and mood.

Watercolor Illustrator @UK I love nature and every little things~All things bright and beautiful~! Commission or corporate: janeferwonguk@gmail.com Thanks.

Art is my drug of choice.

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

Watercolor Illustrator @UK I love nature and every little things~All things bright and beautiful~! Commission or corporate: janeferwonguk@gmail.com Thanks.

Designer and illustrator from Dallas, TX. Instagram @vankhuynhart

Ukiyo e of floating world

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com