Asian Wall Posters & Poster Prints | Society6

Ukiyo e of floating world

Ukiyo e of floating world

Korean Folk & Modern Art, Illustration Hello! My name is Jimin Kim and I am an illustrator based in Seoul, South Korea. I make illustrations with love and inspiration for traditional Korean folk paintings and natural plants. Are you looking for illustrations or custom-made works you haven't seen? Please contact me below. INSTAGRAM : @minsillust EMAIL : minsillust@naver.com

Cat Coquillette is an international artist, entrepreneur, and educator, running her entire creative brand and educational business from around the world. Her "office" changes daily, usually a coffee shop, coworking space, or airport terminal somewhere in the world. Her company, CatCoq, is a brand that aspires to not only provide an exhilarating aesthetic rooted in an appreciation for culture, travel and the outdoors, but through education, she inspires her students to channel their natural curiosity and reach their full potential. From painting florals found in the jungles of Vietnam, exotic wildlife from the Amazon Rainforest, or patterns inspired from Scandinavian textiles, Cat's work has brought a fresh artistic perspective and inspiration to over half a million students who have enrolled in her courses and workshops. As a growing industry leader, Cat continues to provide value, art and education to the community she loves. CatCoq artwork and designs can be found worldwide in stores including Urban Outfitters, Target, Barnes & Noble, Anthropologie, Modcloth, Crayola, Disney, Nordstrom, Bed Bath & Beyond, among many others. Cat is a keynote speaker for entrepreneur and design conferences around the world. Her writing, interviews and design work have been featured by Forbes, CNN, US Weekly, Teen Vogue, Buzzfeed, and The New York Post. www.catcoq.com Instagram & Facebook: @catcoq Contact: hello@catcoq.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

Hello! Im Amber, an Illustrator and Surface Pattern Designer! If you'd like to keep up to date with me and my work, please follow me on Instagram at: www.instagram.com/amberstextiles

A curation of vintage and modern wall art and home decor.

Vintage Art. Check out our new color themed collections!

Japanese woodblock prints, paintings and design.

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

Hey! My name is Angelina and I am an illustrator. You will find some interesting stuff here! Feel free to contact me: www.instagram.com/angelina_bambina_dsgn

Ukiyo e of floating world

I create bold sun inspired illustrations to brighten your space and mood.

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

@aprillaneart

Hola! My name is Alexia. I'm a watercolor artist + interior designer inspired by puppies, nature, and contemporary design.

Korean Folk & Modern Art, Illustration Hello! My name is Jimin Kim and I am an illustrator based in Seoul, South Korea. I make illustrations with love and inspiration for traditional Korean folk paintings and natural plants. Are you looking for illustrations or custom-made works you haven't seen? Please contact me below. INSTAGRAM : @minsillust EMAIL : minsillust@naver.com

Korean Folk & Modern Art, Illustration Hello! My name is Jimin Kim and I am an illustrator based in Seoul, South Korea. I make illustrations with love and inspiration for traditional Korean folk paintings and natural plants. Are you looking for illustrations or custom-made works you haven't seen? Please contact me below. INSTAGRAM : @minsillust EMAIL : minsillust@naver.com

Korean Folk & Modern Art, Illustration Hello! My name is Jimin Kim and I am an illustrator based in Seoul, South Korea. I make illustrations with love and inspiration for traditional Korean folk paintings and natural plants. Are you looking for illustrations or custom-made works you haven't seen? Please contact me below. INSTAGRAM : @minsillust EMAIL : minsillust@naver.com

Korean Folk & Modern Art, Illustration Hello! My name is Jimin Kim and I am an illustrator based in Seoul, South Korea. I make illustrations with love and inspiration for traditional Korean folk paintings and natural plants. Are you looking for illustrations or custom-made works you haven't seen? Please contact me below. INSTAGRAM : @minsillust EMAIL : minsillust@naver.com

Korean Folk & Modern Art, Illustration Hello! My name is Jimin Kim and I am an illustrator based in Seoul, South Korea. I make illustrations with love and inspiration for traditional Korean folk paintings and natural plants. Are you looking for illustrations or custom-made works you haven't seen? Please contact me below. INSTAGRAM : @minsillust EMAIL : minsillust@naver.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

Hi, I'm Cecilia, a Sydney-based surface designer and artist with a background in fine arts. My work is inspired by the Golden Age of Illustration, ancient Chinese and Japanese textiles and historical European Chinoiserie, Mid-Century Modern, and contemporary Australian symbolic painters. I am drawn to themes of wonder, storytelling and the beauty of the natural world. I love to explore rich colour palettes, a sense of movement and flow, and decorative illustration. I'm available for licensing enquiries. @ceciliamok_ www.ceciliamokart.com

Korean Folk & Modern Art, Illustration Hello! My name is Jimin Kim and I am an illustrator based in Seoul, South Korea. I make illustrations with love and inspiration for traditional Korean folk paintings and natural plants. Are you looking for illustrations or custom-made works you haven't seen? Please contact me below. INSTAGRAM : @minsillust EMAIL : minsillust@naver.com

haniff45@hotmail.com, instagram: @enshape31, Etsy: Enshape. I'm addicted to colors and shape.

Archipelago was borne out of a desire to fuse functionality with beauty. After all aren't we all at our happiest when surrounded by beauty? Now more than ever our homes are sanctuaries from the outside world. So curate your dream home by adding beautiful fabrics and enchanting designs throughout your home. William Morris, vintage florals, art, contemporary botanicals and vintage French farmhouse are our specialities.

Archipelago was borne out of a desire to fuse functionality with beauty. After all aren't we all at our happiest when surrounded by beauty? Now more than ever our homes are sanctuaries from the outside world. So curate your dream home by adding beautiful fabrics and enchanting designs throughout your home. William Morris, vintage florals, art, contemporary botanicals and vintage French farmhouse are our specialities.