Japanese Patterned & Printed Shower Curtains

Ukiyo e of floating world

Dyer + Pattern Designer Thank you for viewing my shop, please tag me #dyeshappy when you receive your order! I love to see how my designs look in your home!

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

Illustrator, Graphic Designer | Instagram @JEN.DU | https://www.instagram.com/jen.du/ www.jenduart.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an illustrator from Serbia and I love to create illustrations and patterns that can be used for textile and other surface design. Thank you all for visiting, promoting and buying my designs! Commissions and licensing inquiries: info@blueleladesign.com My website: www.blueleladesign.com Instagram: https://instagram.com/bluelela/

Nina May Designs are fresh, bold, and full of a creative attention that is found in striking new concepts created from Nina's focused vision. Nina May was born and raised in Los Angeles, of Russian influence. Her early educations at Woodbury University and Otis School of Art & Design have left her at the doorstep of rising success; her influence drawn from the flashbulb lure of Hollywood fashion, success, and seductive, latenight, red carpet evenings. Her inspired work offers a mix of recurring themes based on music, nature; geometry, harmony and balance; or they reflect iconic scenes of California style. Her work has been featured in Fred Segal, Saks Fifth Avenue, Bloomingdale's and Macy's. She offers a multi-faceted range of wonderful new ideas in her Lifestyle Collection and Home Decor, or through her Surface Pattern Design, as well. Nina even has unique experience in designing for the world of entertainment through the fashion doll business with clients including; Hasbro, Disney, Mattel and Spin Master Toys. With a tempered flair, Nina May and Nina May Designs bring eclectic, vibrant patterns like Japanese Shibori Tie-Dyes, Tropical Digital Florals and Ethnic patterns inspired by many cultures. Nina May sees the world of fashion as a living pattern of abstract, vibrant color that nourishes her soul; igniting that inspired need to create something very special. - Art Glib https://www.ninamaydesignstudio.com https://www.instagram.com/ninamaydesignstudio https://www.coroflot.com/ninabmay https://www.behance.net/ninabmay

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

Freelance & Licensed Surface Designer | Illustrator Pattern Junkie Pizza Lover Sci-Fi Nerd IG: http://instagram.com/hangtight Website: http://www.hangtightstudio.com/ Twitter: https://twitter.com/HangTightStudio FB: https://www.facebook.com/hangtightstudio88

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

Dyer + Pattern Designer Thank you for viewing my shop, please tag me #dyeshappy when you receive your order! I love to see how my designs look in your home!

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

We are a design and illustration studio based in Brazil. Lovers of nankin, Japanese culture, retro visual.

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

Dyer + Pattern Designer Thank you for viewing my shop, please tag me #dyeshappy when you receive your order! I love to see how my designs look in your home!

Dyer + Pattern Designer Thank you for viewing my shop, please tag me #dyeshappy when you receive your order! I love to see how my designs look in your home!

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

We are a design and illustration studio based in Brazil. Lovers of nankin, Japanese culture, retro visual.

I am a Graphic artist / Illustrator who loves old school design from the 80's and Japanese Culture.

I am a Graphic artist / Illustrator who loves old school design from the 80's and Japanese Culture.

I'm an ancient Asian art buff. An old man still looking towards the rising Sun. In my pieces I am reaching back to go forwards; my only wish: to indulge fully in the process of re-interpreting and remixing art... I am deeply inspired by the masters of Japanese Ukiyo-e painting, and aim with my pieces to convey a deeply evocative and somewhat reminiscent picture of a past both foreign and beautiful, where notions of time and enjoyment had very different connotations. For that I use both physical and digital mediums to reinterpret ancient pieces from old Japanese Masters of the art-form, some very well known and others anonymous and underground. Re-interpretating ancient art provides me with a freedom of expression that is not limited by genre or nomenclature, while remixing gives me a sense of connection to the past and the satisfaction of creation something new. The bulk of my work consists of investigating public domain ukiyo-e and then planning the piece before moving on to digital collage, drawing and painting on the final assemblage. Lastly I do post-treatment to bring out certain tones, and create a vintage mood. Seeing that my works are in essence derivative they are both loved and hated to equal proportions. Purists criticise and denounce my building on pre-existing pieces, more moderate and perhaps experimental folk identify with my perspective, and many art-lovers admire the resulting images. I make no claims and make no excuses. My hat goes off to those that appreciate what I do, and my heart to those that purchase one of my pieces. Feel free to read more @ http://kijiermono.com

Dyer + Pattern Designer Thank you for viewing my shop, please tag me #dyeshappy when you receive your order! I love to see how my designs look in your home!