Torn photographs of botanical subjects and textured landscapes are layered and collaged across a white ground, with neon brushstrokes in lime green, cyan, turquoise, white, and red scattered across the composition like marks of spontaneous interruption. The work balances found imagery against gestural painting, creating visual tension between the orderly fragments of nature and the chaotic energy of abstract mark-making. Bound with 52 pages of 70lb paper, lined or unlined, behind an anti-scuff matte cover with wraparound artwork, made to order. Notes and sketches kept behind an independent artist's work, not a plain composition cover.