Description
Overlapping geometric shapes in bold primary colors, blue, red, yellow, and black, intersect across a cream ground in a dynamic composition that channels early modernist abstraction. The angular planes and fragmented forms create a sense of movement and visual tension, characteristic of Bauhaus experimental artwork from 1919. Precision-cut from thick, satin-finish paperboard and made to order, in 500 or 1,000 pieces. An afternoon spent building an independent artist's work.