Overlapping geometric shapes in bold primary colors, blue, red, yellow, and black, intersect across a cream ground in a dynamic composition that channels early modernist abstraction. The angular planes and fragmented forms create a sense of movement and visual tension, characteristic of Bauhaus experimental artwork from 1919. Bound with 52 pages of 70lb paper, lined or unlined, behind an anti-scuff matte cover with wraparound artwork, made to order. Notes and sketches kept behind an independent artist's work, not a plain composition cover.